![]() Third, to work effectively, the overall lighting of an image would need to change to reflect the impact a different sky would make. Furthermore, most of the stock images are highly dramatic and can move the focus of the image away from the original subject to someone else’s dramatic sky. Unless you use your own replacement skies, you are essentially turning your image into a composite with someone else’s image of a sky, and with virtually no effort on your part. I checked a review copy myself and it’s very interesting technology, but I would never use it Luminar 4 has, of course, set the standard for changing skies flawlessly with virtually no effort. I use this as second best for those moments: Up left you can vote for your request and if more people do that it get picked up by the staff.Īs for me i think i would using a pixel editor for those moments and let DxOPL be concentrating on evolving there raw convertion and adjusting toolset.īut i understand your objective, i have sometimes also a image what would be “stunning” if i got the sky also right exposed instead of blown to bits with no detail or texture. Photoshop does look like it handles RAW in those moments but it can’t it just imports the edited 16 bit tiff from LR/ARC in that workwindow when you replaces the sky. Photoshop does use the preview of a ARC and then use there pixel editing to implement things as replacement, moving people from left to right or use one image for person 1 and other image for person 2 to merch those to a “group” All that is pixel editing magic. ![]() Replacing the sky would be a selection of color(s) and replace them with an other selection of color(s) ( your wanted sky) This is the field of pixel editors. the only real "pixel editing is in “Clone and Repair” the rest is manupalation of the colordata of the RGB pixelgroup We can’t wait to see the magical scenes you’ll create with Sky AI, and the other AI-powered tools, coming later this year only to Luminar AI.There are in general two types of edit applicationsĭxOPL is a Raw developers application. ![]() Which is important, especially during those special days that you’ll never forget. ![]() You can’t predict Mother Nature, but with Sky AI in the new Luminar AI, you can get that sky you were looking for. The thumbnail browser will show you a preview of each sky, making it easy to find the right sky for your photograph. Gone are the days of keeping track of which “Bright Sky” or “Dramatic Sunset” you’d like best. Sky AI works around your scene’s objects, automatically recognizing small details to make for a hyper-realistic view - just the way you’d envisioned.Īlso coming in 2021, you’ll be able to browse through your library of skies in a thumbnail viewer. Ducks, leaves, beach toys … they’re all there right where they should be. ![]() The best part? All the details in your scene stay in your scene. You can even bring in things like water ripples to show some motion in your scene. If you need to dial it in a bit more, you can adjust the levels of the reflection. Sky AI will ensure that any water in your scene has your replaced sky reflected.Īnd just like your main sky, your reflected sky will adapt to your relight settings, and be blurred into the scene without any manual work from you. Instead, Luminar AI does the hard work for you, whether you’re working on that photo in front of a mystical castle you saw on vacation, or when you were at the beach hoping for a beautiful sunset. That means no more duplicating your scene, flipping it and applying a bunch of masking to make it look realistic. With Sky AI, you’ll be able to have your replaced sky reflect on the water automatically. ![]()
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